Read More…<\/a><\/p>\n","protected":false},"author":9,"featured_media":3631,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"profiles":"%5B%7B%22profile-pic%22%3A%22%22%2C%22name%22%3A%22%22%2C%22jobscope%22%3A%22%22%2C%22linked-post%22%3A%22%22%2C%22lazyblock%22%3A%7B%22slug%22%3A%22lazyblock%5C%2Fteam-profiles%22%7D%2C%22className%22%3A%22%22%2C%22align%22%3A%22%22%2C%22anchor%22%3A%22%22%2C%22blockId%22%3A%22%22%2C%22blockUniqueClass%22%3A%22%22%2C%22ghostkitSpacings%22%3A%22%22%2C%22ghostkitSR%22%3A%22%22%7D%5D","segment-colour":"","segment-id":"","segment-text-colour":"","shuffle":false,"cluster-information-block-width":80,"cluster-name-and-description-width":40,"content-colour":"","select-clusters":"%5B%7B%22cluster-selection%22%3A%22%22%2C%22pattern-scale%22%3A0%2C%22full-sized-items%22%3Afalse%2C%22less-restrictive-crop%22%3Afalse%2C%22lazyblock%22%3A%7B%22slug%22%3A%22lazyblock%5C%2Fcluster-carousel%22%7D%2C%22className%22%3A%22%22%2C%22align%22%3A%22%22%2C%22anchor%22%3A%22%22%2C%22blockId%22%3A%22%22%2C%22blockUniqueClass%22%3A%22%22%2C%22ghostkitSpacings%22%3A%22%22%2C%22ghostkitSR%22%3A%22%22%7D%5D","eventsschedule-button-text":"","no-more-events-text":"","event-media-placeholder":"","no-more-events-scrolling-text":"","spay_email":""},"categories":[5],"tags":[],"supervisor":[37],"project_description":"This thesis examines the context of practice as an intelligent and aesthetic project in architecture. It is critical about the portrayal of architecture and its formal outcomes, where the architect is reverred as an artistic author, hiding the boxing ring of reality which involves people, their whims and their value systems. The game-like quality of practice that architects have to deal with becomes the protaganist of this thesis, airing the dirty business that we only hear over drinks, and manifesting it as an aesthetic project challeging the preferences of reductivism and hygiene in architecture.<\/span><\/p>\r\nPart I, How to Murder a Thesis<\/strong>, invites the environment of practice by contaminating the thesis methodology. A game was designed, introducing 6 individuals (Lee Lip Jiang, Ng Sze Wee, Ahmad Nazaruddin, Amelia Lim, Jasmine Quek, Seah Ying Xin) to co-author a house project as clients (2 players each in 3 scenarios). Structural engineers Robert Bamford and Philip Wang were also brought in to provide a different value system to the table.<\/span><\/p>\r\nPart II, Normal as Feature<\/strong>, is an exploration on how friction and compromise between parties in practice lead to aesthetic and formal outcomes. 1) The architect\u2019s agency becomes fragmented, appearing in features and details rather than from the whole. 2) These features become opportunities to challenge my aesthetic leanings from modernism, as evidences (and coping mechanisms) of violence in the architecture practice.<\/span><\/p>\r\nPhotography is used as a representational tool to extract these fragmented features from the whole, as a claim of agency. The details, although small, take on strange presence in relationship to the rest of the architecture.<\/span><\/p>","grid_spacer":"0","grid_spacer_topbottom":"0","grid_spacer_width":"200","grid_spacer_height":"25","jetpack_featured_media_url":"https:\/\/www.nusmarchgradshow.com\/2021\/wp-content\/uploads\/2021\/06\/chanHouse1-scaled.jpg","uagb_featured_image_src":{"full":["https:\/\/www.nusmarchgradshow.com\/2021\/wp-content\/uploads\/2021\/06\/chanHouse1-scaled.jpg",2560,1707,false],"thumbnail":["https:\/\/www.nusmarchgradshow.com\/2021\/wp-content\/uploads\/2021\/06\/chanHouse1-400x267.jpg",400,267,true],"medium":["https:\/\/www.nusmarchgradshow.com\/2021\/wp-content\/uploads\/2021\/06\/chanHouse1-1024x683.jpg",1024,683,true],"medium_large":["https:\/\/www.nusmarchgradshow.com\/2021\/wp-content\/uploads\/2021\/06\/chanHouse1-768x512.jpg",640,427,true],"large":["https:\/\/www.nusmarchgradshow.com\/2021\/wp-content\/uploads\/2021\/06\/chanHouse1-1920x1280.jpg",640,427,true],"1536x1536":["https:\/\/www.nusmarchgradshow.com\/2021\/wp-content\/uploads\/2021\/06\/chanHouse1-1536x1024.jpg",1536,1024,true],"2048x2048":["https:\/\/www.nusmarchgradshow.com\/2021\/wp-content\/uploads\/2021\/06\/chanHouse1-2048x1365.jpg",2048,1365,true]},"uagb_author_info":{"display_name":"Chan Hao","author_link":"https:\/\/www.nusmarchgradshow.com\/2021\/author\/nusmarch_chan\/"},"uagb_comment_info":0,"uagb_excerpt":"[...]Read More...","_links":{"self":[{"href":"https:\/\/www.nusmarchgradshow.com\/2021\/wp-json\/wp\/v2\/posts\/216"}],"collection":[{"href":"https:\/\/www.nusmarchgradshow.com\/2021\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.nusmarchgradshow.com\/2021\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.nusmarchgradshow.com\/2021\/wp-json\/wp\/v2\/users\/9"}],"replies":[{"embeddable":true,"href":"https:\/\/www.nusmarchgradshow.com\/2021\/wp-json\/wp\/v2\/comments?post=216"}],"version-history":[{"count":3,"href":"https:\/\/www.nusmarchgradshow.com\/2021\/wp-json\/wp\/v2\/posts\/216\/revisions"}],"predecessor-version":[{"id":3644,"href":"https:\/\/www.nusmarchgradshow.com\/2021\/wp-json\/wp\/v2\/posts\/216\/revisions\/3644"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.nusmarchgradshow.com\/2021\/wp-json\/wp\/v2\/media\/3631"}],"wp:attachment":[{"href":"https:\/\/www.nusmarchgradshow.com\/2021\/wp-json\/wp\/v2\/media?parent=216"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.nusmarchgradshow.com\/2021\/wp-json\/wp\/v2\/categories?post=216"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.nusmarchgradshow.com\/2021\/wp-json\/wp\/v2\/tags?post=216"},{"taxonomy":"supervisor","embeddable":true,"href":"https:\/\/www.nusmarchgradshow.com\/2021\/wp-json\/wp\/v2\/supervisor?post=216"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}